While I scouted the silent government buildings next to the plaza on the other bank, his dead body drifting in the water, still grabbing the reeds by the bank.
It seems he never gave up trying to survive.
Not far from him, his journal lay quietly in a waterproof pouch, the last entry written just before his departure.
'I volunteered for this mission to deliver the SOS. I won't come back, whether I succeed or fail.'
His journal indicates that the defenders of Chetleigh are in dire straits.
Delphine
See the crossing on the other side? The ferries have been sunk. Horn's squad has been completely cut off from the outside.
Delphine
Two days ago, this soldier tried to cross the river under the cover of darkness, but was shot by the Sarkaz patrolling on the opposite bank.
Delphine
There is no word from the troops that were garrisoned in the city hall.
The soldier's journal made me uneasy.
Twenty-three soldiers, two squads.
Other than the city hall, silent in the darkness, the rest of the buildings around the plaza have been reduced to smoldering ruins by artillery fire.
At least the tragedy hammers one thing: No one can truly escape death on the battlefield.
Delphine
The Camus River runs to the east and north side of the plaza. The crossing to the east is under Sarkaz control. The lights coming from the south should be the Sarkaz camp.
Delphine
They've holed up in the city hall for more than two weeks.
Delphine
If the journal is accurate, the last bridge that connects the city hall to the residential district on the other side of the north bank was attacked no less than two days ago.
Delphine
It's possible that they're cut off from all supplies.
Morgan
Out of ammo, out of food.
Indra
What do we do?
Indra
If we have the time to worry about that here, we might as well just cross the river and see for ourselves.
Delphine
We can't just cross without a plan, Hannah. If we're discoveredβ
Siege
Actually, Hannah's words made me think.
Siege
We've been unable reach Horn's squad by radio. Restoring communications is our first priority.
Siege
Me, Hannah, Morgan, and Dagda will swim across the river and see what the situation is inside city hall.
Delphine
That's too dangerous, Vina!
Siege
You realize that we're the best people for this job. The only people for this job.
Siege
We're Rhodes Island operators. Small squad spec ops is our game. And we're Norport gangsters, who know how to get into a place and get back out again unnoticed.
Siege
We have a few volunteer soldiers and civilians who want to offer their support for the legendary Tempest Platoon. But there are only so many people we can bring...
Siege
We need people to stay behind for defense, with Lieutenant Shearer gone.
I hardly hear what Vina is saying.
Is this a bad joke by Trilby Asher? Or is this how the battlefield is?
The call for help, deciding whether to answer, and the sacrifices that must be made to help... the laws of the battlefield.
Siege
I know what you're thinking, Delphine.
Siege
There are personal sentiments involved, but I can't ignore the SOS.
Siege
They're good soldiers, and they'll be of help if they're still alive.
Delphine
Alright... I trust your judgment.
Siege
Stay behind with these men, Delphine. We need to keep watch.
Siege
If you lose our signal, take them and get out of here.
Okay, we're on the bank. Keep your eyes out for any patrols.
Delphine
Two Sarkaz standing guard at the crossing. One to Hannah's 3 o'clock, another in the building.
Indra
Roger.
Siege
Draw the attention of the first, and Hannah and I will do this together. Three... Two... One... go!
The light in the window goes out.
All is well?
Wait... a fowlbeast?
A black fowlbeast flies out of the hut at the crossing, flies a circle above, then heads towards the Sarkaz camp.
Delphine
Vina!
An agile shadow leaps across the moonlight from the roof of the hut and grabs the fowlbeast.
Dagda
Got it!
Dagda
A military fowlbeast. You spooked it, Hannah.
Indra
Sorry, I didn't notice.
Siege
No sign of Sarkaz. To the city hall.
Siege
Lots of bodies on the plaza, but it's too dark to identify them. Ready to go in.
Morgan
I see the bridge that connects the residential district, but the barricades on the other side of the bridge are blocking the view.
Delphine
Go to the top of the city hall, try to get a better vantage.
Siege
Roger. Hm...
Siege
The entrance has been boarded up.
Morgan
Over here. A gap has been blown in the west wall, wide enough for us to go in.
Delphine
Good... do you see Horn's squad?
Siege
Not yet.
Siege
Stop! Something's moving. Radio silence. There's a crossbowman in the building watching the residential district, allegiance unknown. Watch for my sign.
Sarkaz Mercenary
*Sarkaz profanity* What's that sound on this frequency? Who *Bzzzzβ*
We got your SOS. We've confirmed your locationβthe bridgehead at the residential district, on the other side.
Siege
We're coming to help.
'Bzzzztβ Bzzzztβ'
I hear cheers coming from the radio.
They did it.
Horn
Sorry about that. The men are excited for our first bit of support.
Horn
We should be able to talk normally now.
Siege
Horn, we can help your squad evacuateβ
Horn
Thanks, but we're not evacuating. There's something in this town that the Sarkaz want, and they won't abandon their assault.
Horn
The nearest Victorian battalion that received our SOS will arrive within one week. We must guard the entrance until then, and ensure the safety of the survivors of Chetleigh.
Horn
*Radio noise*
Horn
We voted on this. The decision was unanimous.
Horn
Including... Misery. Much obliged.
Dead silence.
She sounded like she was talking about the weather.
A vote. On a battlefield, there are only two choices you get to vote for: Life, or death.
Vina seems lost in thought. What decision would I make? What decision would Mother make?
Siege
Then...
Siege
If you choose to gamble, I have an even bolder plan. Care to hear it?
My brothers will tear you apart, standing on my corpse, *Sarkaz profanity*...
Sarkaz Mercenary
Ugh...
Delphine
I prefer to be the one doing the tearing, if that's all right with you.
Sarkaz.
Once again, I think back to what happened that day. No, I can't.
Siege
It's almost ninety seconds, Delphine! Ready to pull back!
Delphine
Roger! Bentley's down! I'll fill the gap in the minefield.
Delphine
Mines are too precious to just leave out there.
Siege
You have fire support from the third floor.
Morgan
The underground passage that connects the city hall's basement to the bridge has been cleared! Now the wounded have some space.
Indra
You took a nick, Morgan. Are you okay?
Morgan
Not good enough to hold a knife, but I can coordinate things in the back.
Morgan
What about your side, Hannah?
Indra
You're asking the expert of destruction. I could smash a hole in the ceilings without any extra equipment, and we have wooden ladders set up so that we can move quickly between the floors.
Siege
Good. We can't have another situation like yesterday, when we couldn't get to Dagda in time.
Delphine
I filled the gap in the minefield! Bentley's still breathing, so I'm taking him into the basement for treatment.
Delphine
Is Dagda awake?
Morgan
Awake, but she can't be moved yet.
Morgan
She's been trying too hard. I'll do my best to care for her.
Siege
Is there any news from the Sarkaz camp? They may be planning something else, after the assault on the building failed.
Siege
Can you find any more mines to expand the minefield?
Misery
I'm afraid not. Our Sarkaz friend's mercenary band isn't so easy to find.
Misery
We'll have to count on my *static*β
Siege
Witchcraft *static* signalβ disrupt *static*β
Delphine
Something's disrupting the signal?
Indra
It's β*noise*β
Indra
βDel *static*β Runβ
I hear a long howl in the distance.
A strong sense of unease suddenly comes over me. The air has become filled with malice.
You didn't pull out in time while rescuing the wounded yesterday, and got caught by the blast of them test firing the war altar.
Delphine
Yesterday...? War... altar? Where's Ben?
Dagda
Hah, looks like we've both missed a lot.
Dagda
Ach, my back still hurts. Morgan sucks at stitching. Oh, Ben's alive.
Delphine
Who... who brought me back?
Dagda
Hannah. She saw that you were still outside and jumped out from the third floor to drag you back in.
Dagda
She just woke up herself. She's gone off to support Vina.
Delphine
These are the wounded?
I walk through the underground passage, now filled with wounded personnel. Dozens of eyes turn towards me. Many of them still have dried blood upon them.
The mines are pulling their weight. Two of the war altars have had their undercarriages disabled, and the rest have stopped.
Siege
They've stopped their advance.
Horn
We can bombard the position you marked at any time!
Morgan
Careful! The war altars are still charging. They haven't abandoned the assault yet!
Indra
Alright, listen up, you berks. The next round of bombardment is about to begin. Anyone still on the first and second floors, get your arses up the third floor!
Indra
That thing can only shoot so high!
Misery
I believe that its witchcraft core is powered by its operator, the altar itself acting only as a medium.
Siege
So it'll blow itself up if its witchcraft core is destroyed when fully charged?
Misery
In theory, but I've never seen it in action personally. I can't guaranteeβ
Siege
That's good enough. I'll go up to the roof to look for an opportunity. The only way to approach the core is from above.
Siege
Can you distract the operator for a little while when the altar is activated? Every second helps.
I stand at the staircase to the second floor, dumbfounded.
It takes me some time to realize that the pile of rubble without the left side wall is the city hall that we've been defending for the better part of a week.
The carnage on the plaza is in plain view, without the need for windows or portholes.
Amidst the ruins, the red crystals on the war altars shine an eerie red in the rays of dawn, the metal skeleton reflecting an ominous light.
It seems to whisper: Gaze upon blood, gaze upon decay, gaze upon death.
This is what Mother had done for so long.
And this is the first time I've thought of her in days.